Justine Cooper
SELECTED EXHIBITIONS
2009
IMPACT by DEGREES, Embassy of Australia, Washington DC, USA
Living in Sim, Daneyal Mahmood Gallery, New York
Collected Fragments, Sunderland Museum and Winter Gardens, UK
2008
Terminal, Daneyal Mahmood Gallery, New York
2007
The Leisure Class, Gallery of Modern Art, Brisbane
Eye to I- The self in recent art, Ballarat Fine Art Gallery, Ballarat
GOODBYE PRIVACY, Ars Electronica, Linz, Austria
HAVIDOL, Daneyal Mahmood Gallery, NYC, USA
The Art & Artifice of Science, Museum of Fine Arts, Museum of New Mexico, USA
STRANGE ATTRACTORS, Australia Council for the Arts, Sydney
2006
APT 5th Asia-Pacific Triennial of Contemporary Art, Brisbane
STRANGE ATTRACTORS: charm between art and science, Zendai Museum of Modern Art, Shanghai, China
2005
SAVED BY SCIENCE, Mary Place Gallery, Sydney
YOUR SKY, Gigantic ArtSpace [GAS], New York
IN THE LINE OF FLIGHT, The Millennium Dialogue, Beijing New Media Arts Biennale, China Millennium Art Museum, Beijing, China
SAVED BY SCIENCE, Kashya Hildebrand Gallery, New York
RAPT I and II, Visual Arts Gallery, University of Alabama, Birmingham
WetLab: The New Nexus Between Art and Science, The Gallery of Contemporary Art, Sacred Heart University, USA
2004
TULP: The Body Public (visual director) perfomance/installation with ELISION Ensemble and composer John Rodgers, Art Gallery of New South Wales – Domain Theatre, Sydney Festival and the Powerhouse, Brisbane Festival.
TRANSFIGURE, Australian Centre for the Moving Image, Melbourne
TRANS: Australian artists in New York, Dumbo, New York
2003
How Human, life in the post genome era, International Center of Photography, New York
Science Fictions, Singapore Art Museum, Singapore
Excite/Moist, Julie Saul Gallery, New York
Helen Lempriere National Sculpture Award Exhibition, Melbourne
The Imaginary Opera Project, Sydney Conservatorium of Music
Genetic Expressions: Art After DNA, Heckscher Museum of Art, Huntington, New york
Divine Fragments, Center for Photography at Woodstock
Lady from the Sea video animations (Ibsen), Wax Factory Production, New York
2002
PhotoGENEesis: Opus 2, Santa Barbara Museum of Art, California
MOIST, Multimedia Art Asia Pacific, Millennium Monument, Beijing,
Microviews, Urban Center Galleries at The Municipal Art Society, New York
Corps + Machine, Museum of Contemporary Art, Montreal
Other Views, QCA Gallery, Queensland, May 24 – June 23, 2002 (curator Timothy Morrell)
ConVerge: where art and science meet, 2002 Adelaide Biennial, Art Gallery of South Australia
Medicine As Metaphor, NTT InterCommunication Center, Tokyo
World Views, New Museum of Contemporary Art, New York
2001
Steel Fracture, Dir. Gail Kelly, Australian Technology Park + Performance Space
Figure It, Plimsoll Gallery, Centre for the Arts, Hobart
Theory or Faith, LIMN gallery, San Francisco
hybrid
forms: Australian new media art, Netherlands Media Art Institute, Amsterdam
2000
Foreign Bodies, Untitled Space, New Haven, Connecticut, USA
Pivot V: About Photography, Carnegie Gallery, Hobart
Gwang-Ju Biennale, Seoul
Probe: Australian Embassy, Beijing
Imaging Terrains: Cartography in the Information Age, Parsons School of Design, USA
1999
Romancing the Brain, Pittsburgh Center for the Arts, Pittsburgh, USA
Sci-Art 99, MAAP, Queensland Sciencentre, Brisbane
The Universal Machine, Powerhouse Museum, Sydney
Persona, Institute of Modern Art, Brisbane
1998
Skin/Deep, Julie Saul Gallery, 560 Broadway SoHo, New York
Surveillance show, Artspace, Sydney
Rapt II, Center for Contemporary Photography, Fitzroy, Melbourne
Cell, Gallery 19, Sydney
SELECTED SCREENINGS
2003
oZone, Centre Pompidou, Paris, (produced by Novamedia)
Another Planet, Robert Beck Memorial Cinema, New York + Chicago Institute of Art.
Future Perfect, d>art, Sydney Film Festival, dLux media arts
2002
Corps + Machine, Museum of Contemporary Art, Montreal
Den Haag Film and Video Festival , “Oor(g)/See[h]ear” , Netherlands
2000
Wired Body/Mediated Body, Pacific Cinematheque, Vancouver, Canada, May 2000 and Goethe Institute, Toronto
1999
Videodrome, New Museum of Contemporary Art, New York
Margaret Mead Film & Video Festival, American Museum of Natural History, New York
Kasseler Dokumentarfilm Und Videofest, Kassel, Germany
4ième Manifestation Internationale Vidéo et Art Électronique , Montreal
Peripheral Visions, Museum of Sydney
Anemone, Imago, Western Australia tour
WRO International Video Art Biennale, Wroclaw, Poland
Women in the Director's Chair Video Festival, Chicago, USA
Digital New Wave, International Film Festival Rotterdam, Netherlands
ArtRAGE, Australian Broadcasting Channel
1998
Videomedeja, 3rd Intnat'l Video Summit, Cultural Center of Novi Sad, Yugoslavia
MUU Media Festival, Helsinki, Finland
Viruses and Mutations, Experimenta, St. Vincent's Hospital, Melbourne
MAAP (Multimedia Art Asia Pacific)
National Digital Art Awards, Institute of Modern Art, Brisbane
VideoBrasil, Sao Paulo, Brazil
d>art, Sydney Film Festival, dLux media arts
PUBLICATIONS
2005
In the Line of Flight: transcending urbanscapes, exhibition catalogue, English/Chinese
2004
Work guaranteed to get under your skin, Joyce Morgan, Sydney Morning Herald, January 16, 2004
URL: http://www.smh.com.au/articles/2004/01/15/10738...
TULP: The Body Public, Harriet Cunningham, Sydney Morning Herald, January 17,
URL: http://www.smh.com.au/articles/2004/01/16/10738...
A Visceral Experience, Carina Dennis, NATURE, v.427, p.587, February 12, 2004
The darkness that yields light, Keith Gallasch, RealTime, RT59 - February - March 04
2003
Prefiguring Cyberculture, eds. Tofts, Jonson, Cavallaro, The MIT Press
Justine Cooper: new media alchemist, Real Time, #55, June/July 2003, p.4
Photovision (Spanish edition)
Cartography in the Age of Digital Media, John Wiley & Sons, Ltd
2002
Scientific Serendipity, eds. Julianne Pierce + Caroline Farmer, Australian Network for Art and Technology, introduction and interview by Kathy Cleland, August 2002.
Future Bodies, eds. Angerer, Peteres, Sofoulis, Springer-Verlag, Vienna 2002
Artlink review, vol.22, no.2, p. 83.
Now I Talk Like This, Stephanie Radok, Art Monthly Australia, April, 2002, pp.9-12
ConVerge:where art and science meet, Adelaide Biennial of Australian Art, Art Gallery of South Australia, catalog, Thames & Hudson, Melbourne.
Studios in the Sky, Stephanie Cash, Art in America, March 2002
Medicine as Metaphor, NTT InterCommunication Center, Tokyo, Catalog
Oxygen Media, 5î television profile, January, 2002.
2001
hybrid
forms: Australian new media art, Netherlands Media Art Institute, Amsterdam, catalog
Out of Australia: International Exposure, Linda Wallace, Artlink, vol.21, no.3, 2001, pp. 53-55.
Interfacing Art, Science and New Media, Anna Munster, Artlink, vol.21, no.3, 2001, pp.19-23.
2000
Probe, Julian Scarff, ART Asia Pacific: new media issue #27, June 2000
Interface: visions of the body and the machine, Kathy Cleland, ART Asia Pacific, #27,
June 2000
Justine Cooper, Australian Art Collector, Patrick Crogan, Issue 12, April-June 2000
The Genetic Esthetic, Barbara Pollack, ArtNEWS, pp 133-136, April 2000
1999
CCTV (China Television) 20" documentary on Probe, November 1999.
HighTech High Touch, John Naisbitt, Broadway Books (Brealey, London edition), 1999
Insides Out: Speculations on the Body in 3D Computer Animation, Patrick Crogan, Paper delivered at the Society for Animation Studies Conference, August 1999
Rapt, Robyn Donohue, Photofile, # 56, May 1999.
1998
Art and Science Sing the Body Transparent, Vicky Goldberg, New York Times,
December 19,1998
PUBLIC LECTURES
Science & Art, Sydney Festival, Domain Theatre, Art Gallery New South Wales, January 18, 2004
Guest Speaker, Distinguished Visitors Program, School of Art and Design, University of Michigan, November 5, 2003
Cartography in the Age of Digital Media, Symposium, Yale School of Architecture, April 5, 2002
ConVerge:where art and science meet, Genomics Symposium, March 3, 2002
Science for Art's Sake, presenter, American Museum of Natural History, June 13, 2001
Scrambling Space, Elastic, artist talk, February 27, 2002
The Art of Imaging, Keynote Speaker, Australian Institute of Medical and Biological Illustration's Conference AIMBI 2000 -, June 2000
Seminar on Science and Art, Australian Network for Art and Technology Summer School,1999
Imaging the Virtual Body, Future Screen seminar speaker, Powerhouse Museum, Nov 21, 1998
